Friday, August 27, 2010

Farmhouse Panorama II

This is yet another panorama (multiple canvas) work based on the Milton Jones Farmhouse in Cary, NC. Painted over three canvases, each measuring 16 x 20 inches in size, it depicts the farmhouse straight-away. I enjoyed creating this piece and the work went very quickly.

"Farmhouse Panorama II." Oil on three 20 x 16 inch stretched canvases (total size 20 x 48 inches). Completed January 2010.

Saturday, August 21, 2010

Farmhouse Panorama III

I've spent today photographing artwork created over the past several months, and will now begin posting the work here on the blog.

This piece, "Farmhouse Panorama III," is a return to the Jones Farmhouse in Cary, NC that inspired a series of paintings in 2008. For this effort, I created a panorama image by painting the scene over four 11x14-inch canvases. I chose to put the farmhouse in deep shadow so that it would contrast strongly with the bright sky and background.

"Farmhouse Panorama III." Oil on four 14 x 11 inch stretched canvases, total size 14 x 44 inches. Completed February 2010.

Sunday, August 8, 2010

Coming Soon: New Work for Somerhill Gallery Exhibit

I've been extremely busy in the studio over the past few weeks, so busy I've been neglecting the blog. I have a backlog of new works to photograph, and plan to do so this week. The new pieces are in preparation for an exhibit I will be having at the Somerhill Gallery (Durham, NC) in October. I'm excited about this opportunity and have been working hard to develop new canvases for the show. More details - and images - to follow soon.

Friday, July 16, 2010

North Carolina Museum of Art Visit

This past weekend I had my first opportunity to visit the newly opened permanent collection facility at the North Carolina Museum of Art. The museum had been closed for several months as the collection was transferred from the old facility into the new one. It reopened on April 24th to much fanfare.

The gallery spaces are beautiful, with quiet exterior courtyard spaces for sculpture and gardens. While I don't find the structure particularly attractive from the outside, I was very impressed with the interior. The former building is currently under renovations and will reopen in November as a home to temporary exhibitions. The first will be an exhibit of works by famed illustrator Norman Rockwell.

Sunday, June 27, 2010

Muffy

While most of my painting imagery is architecturally related, I do paint other subjects. Occasionally I am solicited for private commissions, and the above work is one I received a few years ago. A patron contacted me to see if I would complete a commissioned portrait of a beloved pet who had passed away after many years of loving companionship. These projects can be quite challenging because the patron can have exacting expectations of the final result. This painting seemed to work well from the very beginning, and the patron was very pleased with the end product.

"Muffy." Oil on stretched canvas, 20 x24 inches. Private commission completed in November 2007.

Saturday, June 19, 2010

Victorians at Sunrise

I received some wonderful news this week: the City of Raleigh Arts Commission, which hosted my recent exhibition "Home/journeys," has purchased one of my paintings for the city's permanent collection. The commissioners selected "Victorians at Sunrise" (seen above) for their collection. Needless to say I was very excited about this development.

"Victorians at Sunrise" has been featured in three of my exhibitions (Burke Arts Council in May 2009, Preservation Society of Chapel Hill in December 2009, and the Miriam Preston Block Gallery in May 2010) so it is satisfying to see it go to a good "home." I am especially grateful to the City of Raleigh Arts Commission for their support and encouragement.

"Victorians at Sunrise." Oil on stretched canvas, 24 x 36 inches. Completed in July 2008.

Monday, June 7, 2010

Remains of the Day

Unfortunately I've been sidelined this past week by some outpatient surgery that I had been putting off for nearly two years. I am recuperating well at home but I won't be in the studio for at least a week. Prior to the surgery I was busy working on several new canvases. I hope to have those photographed soon so that I can post them here.

The painting above, "Remains of the Day," was completed earlier this year. The structure itself is based on an actual house in Ohio but I completely reworked the surroundings and also improvised the dramatic skyscape. The Victorian architecture of Ohio (which I greatly admired while living in Columbus during the 1990s) has been an excellent source for much of my material. It lends itself to a lonely, moody atmosphere that also evokes a sense of lost elegance and grandeur, of a time gone by.

"Remains of the Day." Oil on stretched canvas, 26 x 40 inches. Completed January 2010.

Sunday, May 30, 2010

Chateau Marmont Revisited

My recent two-person exhibition, "Home/journeys," closed this past week at the Miriam Preston Block Gallery in Raleigh. While I did not sell any canvases, I did receive several inquiries and compliments from strangers who saw the show and took the time to email me their comments. That alone is a positive outcome.

One of the canvases featured in the exhibit was "Chateau Marmont," seen above. This was the second painting I completed of the famed Hollywood hotel that sits on a bluff above the Sunset Strip. The first was an 11x14 inch study I completed in October 2008 (click HERE for my previous blog report on that canvas). This work was much larger and focused further on the castle-like structure itself. I decided to delete the neon sign per say and only have a hint of its electric light reflection in the lower right side. My feelings for this painting have grown more positive since its completion; at first I felt it was inferior to the smaller study. It was one of the works that I received the highest praise for in the recent show, a pleasant surprise to me.

"Chateau Marmont." Oil on stretched canvas, 24 x 30 inches. Completed November 2008.

Monday, May 24, 2010

William Christenberry Exhibit at Reynolda House

On Saturday I took what has become an annual visit to Reynolda House in Winston-Salem, NC to enjoy the museum's latest exhibition. This year's show, "William Christenberry: Photographs, 1961-2005," did not disappoint: the exhibit encompasses color photographs taken by Christenberry in his native Alabama over the past four decades. Most of the works focused on an architectural subject, but they also included gravesites and faded signs. He is able to capture that sense of death, decay and defeat that seems to hang in the air of the rural Deep South. A few years back I saw an exhibition of his work at the American Art Museum in Washington, DC and that show inspired me to begin my Cary Farmhouse Series.

The exhibition runs until June 27. Click HERE for more information at the Reynolda House web site.

Sunday, May 16, 2010

Windows at Night

This week's blog entry features another recent canvas that is currently on display in "home/journeys" at the Block Gallery in Raleigh. It is the smallest painting in the show at 18 x 24 inches. The source for the building was a mansion that stands on Drayton Street in Savannah, Georgia. I loved its asymmetrical facade and took several photos of it during my visit to Savannah in February. I focused my composition on an upper section of the house, and then turned it into a night scene for some heightened atmosphere.

"Windows at Night." Oil on stretched canvas, 18 x 24 inches. Completed February 2010.

Saturday, May 8, 2010

Lights After Midnight

The past two weeks have been busy with non-art activities. In April and May I am always occupied with yard work and garden planting, and I've also hosted two sets of visitors recently. The schedule has kept me out of the studio (and off the blog) but I enjoy this season too much to miss out on it.

This work, "Lights After Midnight," was produced earlier this year and is currently hanging in the exhibit "home/journeys." The image is based on a real house here in Raleigh, and is displayed with dramatic night lighting. I love playing with light and shadows in my work, and this painting incorporates both.

"Lights After Midnight." Oil on stretched canvas, 20 x 32 inches. Completed January 2010.

Thursday, April 22, 2010

More "Home/journeys" Photos

Many thanks to Hannah Costner, Curator for the City of Raleigh Arts Commission, for these images taken at the opening reception for "home/journeys." The exhibit opened in the Block Gallery on April 8, 2010. Since then I have been busy working on a new series of architectural paintings for a planned exhibition in October. More on that show in future posts.

Friday, April 9, 2010

"Home/journeys" Exhibit Opens

Last night was the opening reception for "home/journeys" at the Miriam Preston Block Gallery inside the Raleigh Municipal Building. Approximately 40 friends and neighbors attended the opening. I have 15 canvases on display in the show, which also includes painter Kathy Brancato and mixed-media artist Mikel Robinson. "Home/journeys" is sponsored by the City of Raleigh Arts Commission and will remain on exhibit until May 24. The Block Gallery is located at 222 West Hargett Street in Downtown Raleigh, NC.

Friday, March 26, 2010

"Home/journeys" Video Documentary

The Raleigh Television Network is featuring a video documentary on the upcoming Miriam Preston Block Gallery exhibit I will be featured in next month. Entitled "Home/journeys: Interviews with Kenneth Eugene Peters, Kathy Brancato and Tim Kiernan," the video runs approximately 22 minutes and will air periodically on the RTN during the run of the exhibit.

To watch the video, click HERE.

Sunday, March 21, 2010

The Blue House

For the next several weeks I will be featuring canvases that will be on display in the upcoming exhibit "home/journeys" at the Miriam Preston Block Gallery. I'll focus on works that have not appeared on my web site and have never been exhibited publicly.

This painting, "The Blue House," was completed in February 2009. It is another canvas in the series I developed last year based on houses and street scenes from Cumberland, Maryland. I visited Cumberland over the Christmas Holiday in 2008, and found a wealth of source material for paintings. To date I have completed eight canvases based on Cumberland imagery. Many of these pieces will be displayed in the "home/journeys" exhibition.

"The Blue House." Oil on stretched canvas, 24 x 30 inches. Completed February 2009.

Saturday, March 13, 2010

Block Gallery Exhibit Update

It's less than four weeks until the opening of my next exhibition, "home/journeys," at the Miriam Preston Block Gallery in Downtown Raleigh. The exhibit will feature paintings by Kathy Brancato and myself, plus mixed-media works in cases by Mikel Robinson. I will be submitting 16 canvases, many of which will be on exhibit for the first time. During the past two weeks I have been prepping and framing the works, and I'm feeling very confident of where I stand this far out.

On Friday, March 5 the Raleigh Television Network sent a crew to my home to interview me in my studio in advance of the show. A 30-minute spot highlighting the three artists featured in "home/journeys" will broadcast several times on the RTN cable channel here in Raleigh during the exhibit's run (April 8 to May 24).

The Miriam Preston Block Gallery is located inside the Raleigh Municipal Building, 222 West Hargett Street, Raleigh NC 27601. The opening reception is scheduled for Thursday, April 8 from 5:00 to 7:00 p.m. The gallery is open Monday through Friday from 8:30 a.m. to 5:15 p.m.

Sunday, February 28, 2010

Sky Over Holly Springs Road

This has been a busy art weekend. Yesterday I spent the afternoon preparing canvases for my exhibition at the Miriam Preston Block Gallery in April. I have selected 16 works for inclusion in the show, and I worked on preparing nine canvases yesterday (wiring, framing, cleaning the edges, signing). I also took time to straighten up my studio because the Raleigh Television Network (RTN) is coming this Friday to tape an interview with me in advance of the Block Gallery show.

Today is also the opening reception for the Raleigh Fine Arts Society juried exhibition. Two of my works will be featured in the exhibition. The juror, artist John Beerman, will be giving a juror's lecture before the reception, and I'm looking forward to hearing his comments.

The painting featured above is from my 2008 Cary Farmhouse series. In this piece I decided to capture a distant perspective on the house so that I could emphasize a dramatic skyscape above it. Within the past month I have returned to the farmhouse as a subject for my painting, and I will feature the new canvases in future installments.

"Sky Over Holly Springs Road." Oil on stretched canvas, 11 x 14 inches, completed April 2008.

Saturday, February 20, 2010

Raleigh Fine Arts Society Juried Exhibition

I learned this past week that two of my works, "Fourth and Montgomery" and "August Sunset," were accepted into the 36th Annual Raleigh Fine Arts Society North Carolina Exhibition for 2010. This was the fourth year that I had submitted work, but the first in which I had work accepted. With only 60 pieces accepted out of nearly 500 entries, I am especially excited to have both paintings admitted into the show. The exhibit will run from February 28-May 4, 2010 in the Betty Ray McCain Gallery, Progress Energy Center for the Performing Arts, Raleigh NC. The juror for this year's competition was John Beerman. Mr. Beerman is a painter who is originally from North Carolina but now lives and works in Upstate New York (Hudson Valley Region). He is represented locally by the Somerhill Gallery in Durham.

Saturday, February 13, 2010

Street Shadows

Having just returned from my annual trip to Savannah, Georgia, I thought I would feature a canvas I completed last year that was inspired by Savannah imagery.

This storefront scene is based on a building located on Savannah's Bull Street, the city's main north-south artery through the Historic District. The atmospheric lighting created by the street lamp intrigued me, so I wanted to attempt a canvas that utilized that unique lighting. When I was walking around Savannah this past weekend, I inadvertently came upon this building and my mind immediately raced to this painting. It was an unusual feeling to recognize a structure through one of my own paintings.

"Street Shadows." Oil on stretched canvas, 20 x 24 inches. Completed May 2009.

Thursday, February 4, 2010

Off to Savannah

Tomorrow I leave for my annual sojourn to Savannah, Georgia. It's my favorite city in America, and I always return inspired and ready for more hard work in the studio. The building above is one of my favorite landmarks in Savannah - the old Scottish Rite Temple on Bull Street. I've captured it in oils and photographed it multiple times but it still fascinates me. When I return I'll begin working on the final canvases I hope to produce for inclusion in my upcoming exhibit "home/journeys" at the Miriam Preston Block Gallery. Lots of ideas and only a little bit of time to execute them, I'm afraid.